I cut photographs along precise, geometric lines, inspired by both natural and industrial forms. The resulting image fragments are re-combined into imagined landscapes. Although drawn from personal experience, this work is rooted in collective memory and perception.

I begin by collecting photographic impressions from my daily life. I use this library of textures and images as source material for a process that starts with the computer, moves to the darkroom, and ends with a straight edge and blade.

By assuming the single image represents a fractured view of a given space, my work amplifies the resulting cracks and questions the apparent simplicity of the world as it appears. I destroy straight photographs to reveal their larger role in the creation of meaning and the construction of truth. The rhythmic patterns and familiar geometry engage the viewer in the psychology of seeing, associating, and remembering.